“Use your phone and shine a light over here,” says Alexander Skarsgård, whose indefinitely appropriated Southern twang echoes off the walls inside one of the many vast stages at Hollywood Center Studios in Los Angeles. It’s True Blood’s final day of production before the show’s annual hiatus (they’ll reconvene in November for season five), and the near-empty lot we’ve been wandering feels like a schoolhouse abandoned by its students for the summer. Most of the cast and crew have driven out to Malibu this afternoon to film the pyre-heavy final scene of the HBO series’ fourth season, but Skarsgård and his costar Stephen Moyer have been directed here to re-shoot a close-up. “Follow me,” he says as we edge closer to the darkest part of the hangar-size room.
“I wish I could find a fucking light switch,” he adds, before eventually flipping one. The chamber we’re in—done up like a dank basement with black columns and intimations of evil—suddenly becomes awash in the glow of overhead lights. “This is where I tortured Lafayette,” he says with a satisfied grin, referring to the show’s second season, in which his character Eric Northman, the sheriff of Area 5, chained Nelsan Ellis’ drug-abusing, cross-dressing fry cook to a post. He waves me through another door into what looks like a nightclub filled with barstools, dusty liquor bottles, and a poster of a vampiric George W. Bush. “Welcome,” he says with exaggerated gravitas, “to Fangtasia!”
I want to go to there.